Monday, June 16, 2008

Call for artists: The 2008 CoCA Painting Marathon

The 2008 CoCA Painting Marathon Selection Committee is requesting artists to participate in the 16th Annual CoCA Painting Marathon. The Painting Marathon is a 2 day event where artist create art for 24hrs straight (that's the marathon part), the marathon is followed by a series of silent and live auctions to benefit Seattle’s Center on Contemporary Art (CoCA) on the 2nd day. We wrap the event up with a rocking after party. Last year's event was a smashing success and then years will be even better.

Art sales are split 50/50.

FYI, here are a few links to last year’s event.


http://www.cocaseattle.org/marathon2007.html


http://www.flickr.com/photos/cocaseattle/collections/72157603079022547/


There are several spots still open at this time. The deadline for submissions is June 25th 2008. Please submit the following to be considered for the Marathon.

  • No more than 3 images of work (we need to see the type of work you create)
  • A description of the 3 images
  • Max dimension 500 pixels @ 72dpi
  • Resume/CV (Send as an attachment not in the body of your email)
  • Contact info
  • Web site link (if available)
This year's Marathon will be on Friday August 8th and Saturday August 9th at the original Rainier Brewery in the Georgetown neighborhood of Seattle. You must be available and on site from 9am Friday 8/8 through to 9am Sat 8/9 for the marathon. You need not be available for the auction or after party but ideally you can make those events too.

Artists accepted into this year's marathon will be contacted in early July 2008.

Questions? Email us at submissions@cocaseattle.org or call (206) 728-1980

Sunday, June 15, 2008

CoCA Belltown: Brian O'Neill: Ceramic Vessels

Brian
O'Neill: Ceramic Vessels

Opening Friday June 27, from 7-9 pm. Reception above the
gallery at Avenue One.


Brian O'Neill is a ceramicist living and working in Bellingham. Originally from Los Angeles, Brian has shown his work mostly up and down the coast, including the 8th Annual Mingei Pottery Invitational at Glenn Richards Gallery, a juried exhibition at Ellen Ziegler Design. His work has been featured at Fireworks Gallery, Kindred Gallery, and Pottery Northwest Gallery, just to mention some of his Seattle showings.

Artist Statement:
"I find great satisfaction working with basic raw materials that can be coaxed, nurtured if you will, into objects that have shape and balance - a rhythm in their proportion and surface texture.
It is my hope that some of these universal rhythms of nature are embodied in my pieces, evoking the simple strengths that reside in stone and the natural landscape. Most of my forms are vessels. While not always “functional” in the traditional sense, each piece has an interior and an exterior - much like all of us. The visible form and the more hidden space inside is an anthropomorphic relationship I enjoy exploring. Each piece comes into existence and develops a personality as it evolves."

Wednesday, June 11, 2008

Call to artists: Seafair Ball: Bollywood Invitational

Artwork details:

  • Respond to Indian/Bollywood imagery or concepts* relating to these traditions. *Please contact us at email address listed below to receive document.
  • New work or work currently ready for exhibition
  • 1 work, possibly more
  • 2 dimensional or can be affixed to the wall
  • Suggested max size: 36" x 36"
  • 60% Artist, 40% CoCA
  • Please deliver to the Shilshole Bay Beach Club (6413 Seaview Ave NW, Seattle) on Tuesday, July 22nd, 9 am and 5 pm.

CoCA provides:

  • Artists submitting will receive 2 Seafair Ball general admission tickets valued at $25 each

    (We expect that all work submitted will be in the show!)

  • Those in the show will receive 2 Seafair Ball VIP tickets, which includes dinner and wine for two, valued at approx. $40 each
  • Installation (please provide hardware for unusual items)
  • Color postcards
  • Posting on CoCA's web site
  • Show listing in Art Access


Artists are asked to create a [wall hanging] piece of artwork in response to Indian/Bollywood imagery or concepts relating to these traditions. Work already in existence will also be considered.

Please email me to receive text and photos that we are offering artists as response material. Subject matter is entirely open. You can use these concepts and photos or go in an entirely different direction. If the word 'Bollywood' inspires you, like it does me, go with that!

There is available space for larger work. Let us know if you'd like to submit something larger or if you have multiple pieces.

Thanks for your time and interest in working with CoCA!

Rachelle Taylor

rachelle@cocaseattle.org

206-706-0257

Tuesday, June 10, 2008

Call for Entries: The 9th Northwest Biennial



Call for Entries
The 9th Northwest Biennial

Applications due July 26, 2008, midnight

www.callforentry.org

Tacoma Art Museum is accepting entries for The 9th Northwest Biennial from Saturday, June 14 through Saturday, July 26, 2008, via the CaFÉ (Call for Entry) online application process at www.callforentry.org.

The Biennial is open to current residents of Idaho, Montana, Oregon, and Washington. Only work created since January 2007 will be considered.

Artists working in a wide variety of media, including traditional forms, craft-based work, conceptual, performance, installation, and digital projects, are encouraged to apply. There is a nonrefundable $25 entry fee.

For more information visit www.TacomaArtMuseum.org/biennial.

If you would like printed postcards, contact Biennial@TacomaArtMuseum.org.

CoCA Ballard Gallery: Artist Richard Kehl



CoCA Ballard Gallery: Richard Kehl

"Kehlages", like visual poetry with images existing side by side are far from traditional collage. These compelling, original works ignite the imagination and evoke mystery.

Artist Reception: This Thursday June 12, 7-9 PM
Show run: June 12 - July 18, 2008

"The Innocent Eye" A slide show by artist Richard Kehl will happen after the reception at 9 PM.


Tuesday, June 3, 2008

Drop City Gallery: Reclaim exhibition artist reception June 12th




RECLAIM:
A site-specific, collaborative installation by:
John Fleming & W. Scott Trimble
reclaim for emailer
RECLAIM is about change, expressed through the re-appropriation of construction materials collected in Seattle's urban neighborhoods.
Please join us for an opening reception with the artists
Thursday, June 12th 5-8pm
If you cannot attend the opening please join us for an informal Artist Talk
Thursday, June 19th, 5-6pm
Free and open to the public
Exhibition on view through Saturday, August 23rd

"Odd Man Out" at bHeard Studios Saturday June 7th



robo bear vs. the clique by Justin Hillgrove

Have you ever experienced being the fifth wheel or somehow found yourself on the outside looking in? Well that's what this show is all about. Four urban contemporary Seattle artists explore being the "odd man out". Artists reception at Bherd Studios is on Saturday, June 7th from 5pm - 9pm and the exhibit continues through June 28th. Featured artists include: Justin Hillgrove, Adam MacKinnon, Chris Olson and John Osgood.

ARCADE 26.4 Now and Next: Furniture and Product Horizons

Join us as we celebrate the release of ARCADE 26.4 Now and Next: Furniture and Product Horizons 26.4 Now and Next: Furniture and Product Horizons at Inform Interiors on Thursday, June 5, from 5:30 – 7:30. The feature, edited by Kelly Walker with Bill Fritts, explores the various roles industrial design plays, and will continue to play, in our evolving world.

Please come and enjoy some good furniture, good company and one darn good magazine!

All designphiles welcome—feel free to invite others!

Inform Interiors: 1220 Western Ave Seattle, WA 98101

"Slow Healing" by Andrew Hida will be showcased this Thursday as a part of CoCA's After Dark programming



Six years of war in Iraq and Afghanistan have produced a new population of soldiers suffering from traumatic brain injuries (TBI). Returning to civilian life from even a mild TBI may result in permanent emotional and cognitive problems that reverberate through the lives of soldiers, their family, and their community. Often undiagnosed, or misdiagnosed as symptoms of post-traumatic stress disorder (PTSD) TBI remains a complex injury due to its occult nature. Like a viral strain, there is no singular definition of TBI as its symptoms manifest itself independently from victim to victim. With the improvement of body armor, survival rates increase although leaving vulnerable the unprotected extremities, and head. Usually the consequence of blasts from improvised explosive devices (IED), TBI is commonly associated with comorbid conditions, resulting in polytraumatic injuries.

The Department of Defense, and the Department of Veterans Affairs (VA) estimates 20-30% of injuries sustained in Iraq and Afghanistan are mild to severe TBIs. As every war has its defining medical signature, TBI has shown to be the resounding injury of these conflicts as IEDs become the weapon of choice against our troops. As we enter the fifth and sixth year of these wars, a new population returns to an altered reality defined by the challenges, and lingering effects of TBI.

Recovery from TBI can be painfully slow, and entirely elusive, affecting not only its victim, but also his surrounding community. Beyond its physical consequences from neurological to physiological functioning, its mental and psychological effects result in personality shifts, emotional instability, and a general loss of cognitive function. Families are often torn apart as interpersonal relationships fail, familial roles change, and life adapts to the victim's limitations and struggles. Navigating through the labyrinth of medical care while simultaneously learning to reintegrate their loved one back into a life of normalcy becomes an everyday challenge.

At the age of 36, Jason has had a 16-year career as an Army Ranger where he was severely injured in Afghanistan in 2005. Since sustaining a TBI, his return home has been nothing short of a tragedy. Initially forgotten about by the DOD, Jason now suffers from epileptic seizures, loss of his left eye, lost vision in his right eye, and severe chronic head pain as a result of his traumatic brain injury. Three years since his injury, scores of doctors have been unable to relieve his pain and suffering. His caregiver and wife, Suzetta, now cares for their two kids, manages the household, and fights constantly to discover what is wrong with her husband. Their compelling story reveals their pain and struggle, and triumphs and happiness as they hope for a better future.

"Slow Healing: Jason" is one chapter of the "Slow Healing" multimedia documentary tracing the return of Iraq and Afghanistan war veterans suffering from TBI.

Onedotzero 2008 International Touring Festival Submissions



Onedotzero, a "visual ideas lab" devoted to the moving image and associated digital arts, seeks visually progressive moving-image work for its 2008–2009 global touring festival, which premieres in Buenos Aires, Argentina, on September 26. There is no entry fee. Information can be found at http://www.onedotzero.com/submissions.php

Deadline: July 18, 2008

Monday, June 2, 2008

The Phinney Center Gallery: Call for submissions



The Phinney Center Gallery, located in the historic Phinney Neighborhood Center, is currently accepting submissions by visual artists for shows beginning in September of 2008 and throughout the 2009 calendar year. Work in all mediums by individual artists is currently being considered. Work in all mediums by artists who wish to show collaboratively will also be considered.

Submissions for visual artists (individual or group shows) are currently being accepted for consideration. Shows in the gallery will take place September of 2008 through the 2009 calendar year.

Submission deadline is June 15th, 2008 (not a postmark deadline)

Consideration of submitted works by the PNA Arts Committee: mid June-mid July, 2008

Artist notification: mid July-early August 2008

Application Process:

All applications should be submitted by mail or in person to the address listed below. Email submissions will not be considered, nor will incomplete applications. Application materials will not be returned unless you include a SASE with adequate postage with your application. The Phinney Center Gallery is not responsible for lost or damaged application materials including slides or CDs of artwork.

Priority consideration for gallery shows will go to artists working in the Puget Sound area who are not currently affiliated with a commercial gallery.

Submit application materials to:

The Phinney Center Gallery

6532 Phinney Avenue North

Seattle, WA 98103

phone:(206)783.2244

email: arts@phinneycenter.org

Individual Artists

Please submit the following for consideration:

  • Resume: Include education and arts training, exhibition history, awards recieved (if applicable), and current contact information (mail, email, phone)
  • Artist's statement: describe the concepts or intent of the work you are submitting. Please limit your description to one page.
  • Work samples: please submit work samples in one of the following formats- CD or slides.

CD work samples: no more than 10 examples of your work. Please use a jpg format. Title each image to match the title information on your list of works.

Slide work samples : no more than 10 examples of your work. All slides must be labeled with the artist’s name, title of work, and medium. Use an arrow to indicate the top of the slide.

  • List of works: Provide a separate list of the work you are submitting. Include your name, title, medium, and dimensions.

Group/Collaborative Artists

Each artist applying to show as a group must submit the following for consideration:

  • Resume: Include education and arts training, exhibition history, awards recieved (if applicable), and current contact information (mail, email, phone)
  • Artist's statement: describe the concepts or intent of the work you are submitting. Demonstrate how you collaborate as artists or the purpose of showing as a group. Please limit your description to one page.
  • Work samples: please submit work samples in one of the following formats- CD or slides. If you are appliying as artists who create imagery collaboratively, your work samples may be combined. Artists who work separately, but who wish to show as a group must provide samples of each artist who proposes to be a part of the group show.

CD work samples: no more than 10 examples of your work. Please use a jpg format. Title each image to match the title information on your list of works.

Slide work samples : no more than 10 examples of your work. All slides must be labeled with the artist’s name, title of work, and medium. Use an arrow to indicate the top of the slide.

  • List of works: Provide a separate list of the work you are submitting. Include your name, title, medium, and dimensions.